Julia Phillips, Oscar winner & author of You'll Never Eat Lunch In This Town Again:
Was she powerful?
Julia Phillips, Oscar winner & author of You'll Never Eat Lunch In This Town Again:
Just want to clarify, you mean those (likely) men that were out of Weinsteins grasp of power should have stood up to him? Agree fully.
But people are taking it (i think) as you saying even the men who can be crushed by Weinstein should have spoken up, despite that being a defending point for a lot of victims.
Mind, I still havent read that Tarantino article, but I believe the discussion moved more towards general terms instead of Tarantinos case specifically.
I don't think anybody reasonable is blaming the victims. That's a bit of a strawman argument, entertaining the opinions of a very few lunatics.
I think Tarantino is as much to blame as other directors or major movie stars who knew about it but did nothing. Tarantino is showing some remorse over his lack of altruism publicly (whether we buy it or not is another issue) which others are not, they are all hiding behind the "he was too powerful for us to go against him" curtain. And I'm saying that technically speaking that curtain is there for Tarantino too, whether he chooses to hide behind it or not. Bob Weinstein fecking knew about it for years and he's as powerful as his brother but he covered for him all these years.
Most powerful people in Hollywood are men. Are white. Are Jewish. Shall we blame it on the Jews?![]()
She should've been...which is the whole point.Was she powerful?
She should've been...which is the whole point.
One would think the following achievements might lead to a position of power:Why should she have been?
In partnership with her husband Michael, Julia Phillips was one of the most successful film producers in Hollywood during the 1970s. Their second film, The Sting, grossed almost $160 million and won seven Academy Awards, making Julia the first woman to win a Best Picture Oscar. Their third film, Taxi Driver, brought them a second Oscar nomination and won the Palme d'Or in 1976. In 1977 they co-produced their most financially successful movie, Steven Spielberg's $300 million-grossing Close Encounters of the Third Kind.
One would think the following achievements might lead to a position of power:
One would think the following achievements might lead to a position of power:
As for the last sentence, I was talking about all across hollywood, not the most (as in the biggest) powerful people, I was saying that most of the powerful people are men - exec's, producers, director's, screen writers, agents, hiring managers, ceo's etc. all across that spectrum can't all be Jewish, surely?
Most. All. Different words. Most are, not all. Not that I see a correlation, I'm just pointing out how identifying a commonality among a group of offenders and then generalising it from there is a dangerous thing.
But yes, one of the sources of the problem for Hollywood is the fact that pretty much all the money people, are men. Not the only industry to be like that of course. Tech, Finance, Pharma, Oil, Construction. What's the proportion of female board directors or CEOs to that of males? Difference in Hollywood is that a) one of the important assets of the employees are good looks and b) women (and men) are more desperate to get into that industry than say Construction, because of the fame and money that it can bring. Which creates the right conditions and fertile ground for some creeps at the top to take advantage.
Let's face it, it was unprofessional of her to be a woman.Let me guess, she was shunned away as a bitter, angry woman?
Tarintino isn't some up and coming director who desperately needs Weinstein. That may have been true at the start of his career, but he could have easily dropped Harvey and found another studio later on. He willfully turned a blind eye to it all because the alternative was too inconvenient. He also maintained a close friendship with him despite personally knowing victims of his.
Sounds to me like he just didn't want the hassle of cutting ties with his movie making buddy.
You could argue the same about any big movie star, like Gwyneth Paltrow, Brad Pitt, Ben Affleck etc. More so in fact. Every single movie that Tarantino wrote or directed, was financed by Weinstein. To say he just "didn't wan't the hassle" is severely understating the level of impact it would have had on Tarantino to go to war with Weinstein.
Of course, you could and should put others like Pitt and Affleck in the same category.
Not sure what your point about all his movies being financed by Weinstein is about. That was entirely his choice and is why there is more of a spotlight on him right now. He militantly chose to only work with Weinstein. You don't think other studios would have loved a Tarantino movie?
This is why he deserves more criticism because the power dynamics at work are different. This was him doing Weinstein a favour out of loyalty and not the other way around.
First I hear about the bolded part. Is that something Tarantino has admitted or that is verified public knowledge?
I think Tarantino is as much to blame as other directors or major movie stars who knew about it but did nothing. Tarantino is showing some remorse over his lack of altruism publicly (whether we buy it or not is another issue) which others are not, they are all hiding behind the "he was too powerful for us to go against him" curtain. And I'm saying that technically speaking that curtain is there for Tarantino too, whether he chooses to hide behind it or not. Bob Weinstein fecking knew about it for years and he's as powerful as his brother but he covered for him all these years.
You think only one person in the whole of Hollywood would be willing to finance a Tarantino movie?
I don't think Tarantino had much choice.
With their close collaboration over his entire career, he was bound to be interrogated about what he knew of Weinstein's behaviour at his first interview or press conference. An attempt to stonewall or a refusal to answer wouldn't be acceptable. Responding with a variation of the Big Lie? - 'I knew nothing beyond tittle tattle or gossip' - would be hugely risky. He'd be leaving himself vulnerable to being ratted out by one of the women who told him about Weinstein - as Affleck was by Rose McGowan. Could he trust them to support his story?
I'm sure he and his people thought long and hard in the days prior to his interview with the NYT, realised that the shit was likely to hit the fan sooner or later, and decided that sooner was best. He could exercise some control over the way the story emerged, and maybe earn a few brownie points for his 'honesty'. Better than being afraid to open his morning newspaper for the next six months in fear of the headline - "Exclusive - Tarantino knew all along. We talk to the woman who told him!"
It'll be interesting to see what Clooney will do.
Oh so it was an assumption on your part? That he militantly chose to only work with Weinstein?
I don't know how many in Hollywood would be willing to finance a Tarantino movie. And I certainly don't know how many would if Weinstein told them not to. You are assuming that he's more powerful than his paymaster and his connections. That's a pretty big assumption to make.
It's obviously not as easy as you make it sound, or someone would have talked in these 20 years. Yet the only ones who did were some minor actresses whose voices were squashed (or silence was bought) and who never worked in Hollywood again.
I'm not exonerating Tarantino, but I seriously think you're underestimating the situation if you think that it would have been only an inconvenience for him to take on Weinstein. And that he simply chose to not be inconvenienced, over speaking out.
The TV and film industries are toxic – and it starts in the audition room:Sarah Solemani said:My first experience of sexism in showbusiness came early, when I was 19. I was invited to the director’s house for dinner, just the two of us. He cooked. It was delicious. He’d had practice, to be fair, being in his 50s. After dinner he asked how I felt about nudity. Another role in the project we were working on had involved nudity, so it didn’t feel a strange question, being 19 and ever so keen.
“Oh, but your story needed it,” I gushed. “It was brilliantly done.”
“But would you ever get naked?” he asked.
“Yes!” I said. “Of course, if the story needed it.”
He looked at me. He smiled. “Go on then,” he said, gently. “If you think you could, why don’t you just take your clothes off right now?”
I can disassociate the Weinsteins from the films since they're mainly about the actors and directors.Anyone else having difficulty watching Weinstein films now ? I'm a massive Tarantino fan but if I'm honest, I'm not sure if I can watch without thinking about what Weinstein was doing at the time when these films were being made.
Not at all. I have no trouble watching films from or with Kinsky, Riefenstahl, Polanski, Herzog or anyone else either.Anyone else having difficulty watching Weinstein films now ? I'm a massive Tarantino fan but if I'm honest, I'm not sure if I can watch without thinking about what Weinstein was doing at the time when these films were being made.
Not at all. I have no trouble watching films from or with Kinsky, Riefenstahl, Polanski, Herzog or anyone else either.
I haven't tried to watch a Weinstein movie recently, I think I'm one of the folks who enjoy movies but know very little about the stuff behind the scenes. I know of some publishers & some actors/actresses names but that's basically how far it goes.The obvious exception being those are ancient history compared with something that is taking place in the present.
I don't mind Von Trier either. I'm enjoying the art, not the artist.The obvious exception being those are ancient history compared with something that is taking place in the present. But I do take your point. I still love watching Mel Gibson's directing films despite his recent problems.
Judging from what I've seen from him, which is not much, he's always like that. Which is basically why I don't like to see him that much.
I don't see flirting or the general dating game as something you have to "deal with". I know women have to deal with a lot more unwanted attention than most men, but that's just how the whole flirting/dating/relationship dynamic works. Men in general has to deal with a lot more rejection from the opposite sex, but the ones complaining about that are usually the bitter "nice guys" who only want one thing from women.
Most sensible blokes give up when a woman does not reciprocate their interest, some does not, but that's just bellends being bellends. I read somewhere that some women gets unwanted attention from men several times a day, but imo that must mean they are either super duper attractive or they misinterpret signals. I don't know, maybe it's a culture thing? I can't imagine it happens so much here in Norway, because we are such fecking shut ins we barely manage to look another human in the eye unless we had 5 pints of lager (or 3 of mead) and only hug our mum like twice a year at the most
At which point the fact that he is a man become relevant? It's not.
He should have done something about it because he knew about it not because he is a man, the same is right for all the woman who knew about it.
No, he's in France and they don't extradite their citizens. But a new person has claimed she was molested by him when she was a child in the 70s.Did I miss something about Polanski ? Is he being arrested or something ?
No, he's in France and they don't extradite their citizens. But a new person has claimed she was molested by him when he was a child in the 70s.